{"id":2391,"date":"2021-12-07T12:41:54","date_gmt":"2021-12-07T12:41:54","guid":{"rendered":"http:\/\/focolisboa.com\/foco2020\/?p=2391"},"modified":"2022-01-31T13:22:43","modified_gmt":"2022-01-31T13:22:43","slug":"tool-cycle","status":"publish","type":"post","link":"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/","title":{"rendered":"Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o"},"content":{"rendered":"

Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o<\/em> \u00e9 um programa de performance sazonal que decorre at\u00e9 2021 no novo espa\u00e7o da Galeria Foco em Lisboa, Portugal e da incubadora Goyki 3 Arte em Sopot, Pol\u00f3nia com artistas convidados de Portugal, Pol\u00f3nia, Estados Unidos, Su\u00ed\u00e7a, R\u00fassia, e Eslov\u00e9nia.<\/p>\n

A nossa abordagem ideal para uma metodologia curatorial \u00e9 convidar um rito de passagem como linha principal de narra\u00e7\u00e3o para trabalhar com artistas convidados, o que significa pensar em termos de transforma\u00e7\u00e3o em oposi\u00e7\u00e3o \u00e0 regulamenta\u00e7\u00e3o. A interpreta\u00e7\u00e3o torna poss\u00edvel estar livre da primeira associa\u00e7\u00e3o. Ao mudarmos as defini\u00e7\u00f5es, recusamo-nos a seguir determina\u00e7\u00f5es pr\u00e9-existentes. Atrav\u00e9s de corpos envolventes para aderir a este conjunto de experi\u00eancias, reconhecemos a possibilidade de aprendizagem. Assim, consideramos a performance um instrumento multimodal para gerar formas de conhecimento, equipando artistas, participantes e contempladores, com certos instrumentos que podem implementar intensamente em contextos variados.<\/p>\n

Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o<\/em> investiga os temas em evolu\u00e7\u00e3o de: limite, elasticidade, ritual, e caos. Dentro de um paradigma de corpos sobre-potenciados, o que significa visualizar certos aspectos de uma performance ou de um corpo?<\/p>\n

O limite n\u00e3o \u00e9 ousadamente demarcador, est\u00e1 constantemente a dissolver-se e a ser escrito. Os filtros s\u00e3o tamb\u00e9m limites, mas interessantes na medida em que permitem a passagem de materiais, informa\u00e7\u00f5es e seres acumulados, ao mesmo tempo que separam um espa\u00e7o de outro. Limite, limitado, liga\u00e7\u00e3o, vincula\u00e7\u00e3o: uma progress\u00e3o flex\u00edvel de poderes que pode ser organizada numa microescala. Sem comunica\u00e7\u00e3o n\u00e3o se compreendem os limites, e os nossos pr\u00f3prios filtros determinam o que valorizamos, o que muda. A elasticidade pode ser metaf\u00edsica e espacial, dentro de uma l\u00f3gica de adaptabilidade. O contexto define a forma. O ponto interm\u00e9dio existe devido a estar esticado \u00e0s suas polaridades. Os processos de expans\u00e3o e contrac\u00e7\u00e3o dentro do crescimento definem o contexto. O que \u00e9 a elasticidade sem um sujeito? O que \u00e9 um sujeito sem um s\u00edmbolo? O facto de o ritual ser simultaneamente inten\u00e7\u00e3o concentrada e ac\u00e7\u00e3o repetitiva peri\u00f3dica inconsciente tem a vantagem de nunca ser totalmente sagrado nem ordin\u00e1rio e, portanto, reside num dom\u00ednio caracterizado pela sua pr\u00f3pria materialidade. \u00c9 f\u00e1cil ser oculto, e n\u00f3s queremos evitar isso. Liberando uma defini\u00e7\u00e3o de ritual de regras, protocolos e ideologias; libertamos o ritual de se definir a si pr\u00f3prio. Em oposi\u00e7\u00e3o \u00e0 tentativa de ordenar o caos explosivo mais amplo do universo ou da experi\u00eancia humana, gostar\u00edamos de nos concentrar na micro-cosmicidade da particularidade do artista. Sem a po\u00e9tica, e a abordagem do artista n\u00e3o h\u00e1 acesso \u00e0 estrutura. Portanto, h\u00e1 necessidade de um guia, um tradutor, confiante no seu universo po\u00e9tico, que inicie as nossas explora\u00e7\u00f5es.<\/p>\n

Josseline Black \/ Kasia Sobczak<\/p>\n","protected":false},"excerpt":{"rendered":"

Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o \u00e9 um programa de performance sazonal que decorre at\u00e9 2021 no novo espa\u00e7o da Galeria Foco em Lisboa, Portugal e da incubadora Goyki 3 Arte em Sopot, Pol\u00f3nia com artistas convidados de Portugal, Pol\u00f3nia, Estados Unidos, Su\u00ed\u00e7a, R\u00fassia, e Eslov\u00e9nia. A nossa abordagem ideal para uma… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28],"tags":[],"acf":{"link":{"link_text":"","link_url":""},"featured_image":{"ID":3427,"id":3427,"title":"Duane Michals, The Illuminated Man, 1968","filename":"essai-photo-cycle.jpg","filesize":62465,"url":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle.jpg","link":"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/attachment\/essai-photo-cycle-2\/","alt":"Duane Michals, The Illuminated Man, 1968","author":"1","description":"Duane Michals, The Illuminated Man, 1968","caption":"Duane Michals, The Illuminated Man, 1968","name":"essai-photo-cycle-2","status":"inherit","uploaded_to":2391,"date":"2021-04-14 16:07:56","modified":"2022-01-31 13:22:43","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/galeriafoco.com\/wp-includes\/images\/media\/default.png","width":659,"height":699,"sizes":{"thumbnail":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-189x200.jpg","thumbnail-width":189,"thumbnail-height":200,"medium":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-471x500.jpg","medium-width":471,"medium-height":500,"medium_large":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle.jpg","medium_large-width":659,"medium_large-height":699,"large":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle.jpg","large-width":659,"large-height":699,"1536x1536":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle.jpg","1536x1536-width":659,"1536x1536-height":699,"2048x2048":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle.jpg","2048x2048-width":659,"2048x2048-height":699,"bones-thumb-1500":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle.jpg","bones-thumb-1500-width":659,"bones-thumb-1500-height":699,"bones-thumb-950":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle.jpg","bones-thumb-950-width":659,"bones-thumb-950-height":699}},"news_images":[{"acf_fc_layout":"one_image","image":{"ID":3434,"id":3434,"title":"essai photo cycle","filename":"essai-photo-cycle-1.jpg","filesize":154432,"url":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1.jpg","link":"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/attachment\/essai-photo-cycle-2-2\/","alt":"","author":"1","description":"","caption":"","name":"essai-photo-cycle-2-2","status":"inherit","uploaded_to":2391,"date":"2021-04-14 16:16:52","modified":"2022-01-31 13:22:43","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/galeriafoco.com\/wp-includes\/images\/media\/default.png","width":1325,"height":897,"sizes":{"thumbnail":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1-200x135.jpg","thumbnail-width":200,"thumbnail-height":135,"medium":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1-500x338.jpg","medium-width":500,"medium-height":338,"medium_large":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1-768x520.jpg","medium_large-width":680,"medium_large-height":460,"large":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1-1100x745.jpg","large-width":680,"large-height":461,"1536x1536":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1.jpg","1536x1536-width":1325,"1536x1536-height":897,"2048x2048":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1.jpg","2048x2048-width":1325,"2048x2048-height":897,"bones-thumb-1500":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1.jpg","bones-thumb-1500-width":1325,"bones-thumb-1500-height":897,"bones-thumb-950":"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1-950x897.jpg","bones-thumb-950-width":950,"bones-thumb-950-height":897}},"caption":"

Duane Michals, The Illuminated Man, 1968<\/p>\n"}],"current":"Past","text":"

Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o<\/em> \u00e9 um programa de performance sazonal que decorre at\u00e9 2021 no novo espa\u00e7o da Galeria Foco em Lisboa, Portugal e da incubadora Goyki 3 Arte em Sopot, Pol\u00f3nia com artistas convidados de Portugal, Pol\u00f3nia, Estados Unidos, Su\u00ed\u00e7a, R\u00fassia, e Eslov\u00e9nia.<\/p>\n

A nossa abordagem ideal para uma metodologia curatorial \u00e9 convidar um rito de passagem como linha principal de narra\u00e7\u00e3o para trabalhar com artistas convidados, o que significa pensar em termos de transforma\u00e7\u00e3o em oposi\u00e7\u00e3o \u00e0 regulamenta\u00e7\u00e3o. A interpreta\u00e7\u00e3o torna poss\u00edvel estar livre da primeira associa\u00e7\u00e3o. Ao mudarmos as defini\u00e7\u00f5es, recusamo-nos a seguir determina\u00e7\u00f5es pr\u00e9-existentes. Atrav\u00e9s de corpos envolventes para aderir a este conjunto de experi\u00eancias, reconhecemos a possibilidade de aprendizagem. Assim, consideramos a performance um instrumento multimodal para gerar formas de conhecimento, equipando artistas, participantes e contempladores, com certos instrumentos que podem implementar intensamente em contextos variados.<\/p>\n

Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o<\/em> investiga os temas em evolu\u00e7\u00e3o de: limite, elasticidade, ritual, e caos. Dentro de um paradigma de corpos sobre-potenciados, o que significa visualizar certos aspectos de uma performance ou de um corpo?<\/p>\n

O limite n\u00e3o \u00e9 ousadamente demarcador, est\u00e1 constantemente a dissolver-se e a ser escrito. Os filtros s\u00e3o tamb\u00e9m limites, mas interessantes na medida em que permitem a passagem de materiais, informa\u00e7\u00f5es e seres acumulados, ao mesmo tempo que separam um espa\u00e7o de outro. Limite, limitado, liga\u00e7\u00e3o, vincula\u00e7\u00e3o: uma progress\u00e3o flex\u00edvel de poderes que pode ser organizada numa microescala. Sem comunica\u00e7\u00e3o n\u00e3o se compreendem os limites, e os nossos pr\u00f3prios filtros determinam o que valorizamos, o que muda. A elasticidade pode ser metaf\u00edsica e espacial, dentro de uma l\u00f3gica de adaptabilidade. O contexto define a forma. O ponto interm\u00e9dio existe devido a estar esticado \u00e0s suas polaridades. Os processos de expans\u00e3o e contrac\u00e7\u00e3o dentro do crescimento definem o contexto. O que \u00e9 a elasticidade sem um sujeito? O que \u00e9 um sujeito sem um s\u00edmbolo? O facto de o ritual ser simultaneamente inten\u00e7\u00e3o concentrada e ac\u00e7\u00e3o repetitiva peri\u00f3dica inconsciente tem a vantagem de nunca ser totalmente sagrado nem ordin\u00e1rio e, portanto, reside num dom\u00ednio caracterizado pela sua pr\u00f3pria materialidade. \u00c9 f\u00e1cil ser oculto, e n\u00f3s queremos evitar isso. Liberando uma defini\u00e7\u00e3o de ritual de regras, protocolos e ideologias; libertamos o ritual de se definir a si pr\u00f3prio. Em oposi\u00e7\u00e3o \u00e0 tentativa de ordenar o caos explosivo mais amplo do universo ou da experi\u00eancia humana, gostar\u00edamos de nos concentrar na micro-cosmicidade da particularidade do artista. Sem a po\u00e9tica, e a abordagem do artista n\u00e3o h\u00e1 acesso \u00e0 estrutura. Portanto, h\u00e1 necessidade de um guia, um tradutor, confiante no seu universo po\u00e9tico, que inicie as nossas explora\u00e7\u00f5es.<\/p>\n

Josseline Black \/ Kasia Sobczak<\/p>\n

PROGRAMA<\/p>\n

5-9 de Abril de 2021
\nPor um lado \/ Por outro
\nde Carlos Manuel Oliveira
\ncom: Daniel Pizamiglio, V\u00e2nia Doutel Vaz, Ana Trinc\u00e3o, Bruno Brandolino, Adriano Vicente, Tiago Gandra<\/p>\n

3-4 Setembro 2021
\nPatronki: deep shadows fall lazily, enveloping everything around me de Martyna Borowiecka<\/p>\n

30-31 Outubro 2021
\nTouching (is electric)
\nde Rafa\u0142 Pierzy\u0144ski<\/p>\n

17-18 de Dezembro de 2021
\nThe Celebration of Faf and Tsalar
\nde Institute for Mastering Time (IMT)
\ncom Arseny Zhilyaev, Asya Volodina, Nika Ham e Nikolai Kharabinovich<\/p>\n"},"yoast_head":"\nGaleria Foco – Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o<\/title>\n<meta name=\"description\" content=\"Foco Gallery is a nucleus and context for artistic and interdisciplinary engagement. Founded by Benjamin Gonthier, Foco Gallery promotes International and Portuguese artists working across media. Generating exhibitions, performances, and discourses, Foco Gallery remains contemporary.After four years of creation and presentation at Rua da Alegria in Lisbon, Foco Gallery is pleased to explore its new space in the city. \u2028A renovated car dealership now houses the main gallery, in the Intendente neighbourhood. The two floors connected by a car lift, and the massive window on the street give a new dimension to the gallery\u2019s projects.The original space at Rua da Alegria, will become the project space Focoff, with a parallel program that will be revealed soon\u2026\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Galeria Foco – Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o\" \/>\n<meta property=\"og:description\" content=\"Foco Gallery is a nucleus and context for artistic and interdisciplinary engagement. Founded by Benjamin Gonthier, Foco Gallery promotes International and Portuguese artists working across media. Generating exhibitions, performances, and discourses, Foco Gallery remains contemporary.After four years of creation and presentation at Rua da Alegria in Lisbon, Foco Gallery is pleased to explore its new space in the city. \u2028A renovated car dealership now houses the main gallery, in the Intendente neighbourhood. The two floors connected by a car lift, and the massive window on the street give a new dimension to the gallery\u2019s projects.The original space at Rua da Alegria, will become the project space Focoff, with a parallel program that will be revealed soon\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/\" \/>\n<meta property=\"og:site_name\" content=\"Galeria Foco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/galeriafoco\" \/>\n<meta property=\"article:published_time\" content=\"2021-12-07T12:41:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-31T13:22:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/galeriafoco.com\/wp-content\/uploads\/essai-photo-cycle-1.jpg\" \/>\n<meta name=\"author\" content=\"Studio2424-Foco\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Studio2424-Foco\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/\"},\"author\":{\"name\":\"Studio2424-Foco\",\"@id\":\"https:\/\/galeriafoco.com\/pt\/#\/schema\/person\/d6e91bf1014b6642d405c820bf7826a4\"},\"headline\":\"Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o\",\"datePublished\":\"2021-12-07T12:41:54+00:00\",\"dateModified\":\"2022-01-31T13:22:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/\"},\"wordCount\":502,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/galeriafoco.com\/pt\/#organization\"},\"articleSection\":[\"News\"],\"inLanguage\":\"pt\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/\",\"url\":\"https:\/\/galeriafoco.com\/pt\/news\/tool-cycle\/\",\"name\":\"Galeria Foco – Instrumentos: Ciclo de novas visualiza\u00e7\u00f5es para corpos em activa\u00e7\u00e3o\",\"isPartOf\":{\"@id\":\"https:\/\/galeriafoco.com\/pt\/#website\"},\"datePublished\":\"2021-12-07T12:41:54+00:00\",\"dateModified\":\"2022-01-31T13:22:43+00:00\",\"description\":\"Foco Gallery is a nucleus and context for artistic and interdisciplinary engagement. 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