Menu

I_AM_MY_DATA
Vincenzo Montefusco
[20/07/21 - 03/08/21]

Foco Galeria I_AM_MY_DATA

Exhibition View

Foco Galeria I_AM_MY_DATA

PROGRESSIVELY UPDATED, 2021

Mirrors, transparent adhesive prints

Data source: artist’s Instagram New Posts reel produced in 2 hours

Foco Galeria I_AM_MY_DATA

PROGRESSIVELY UPDATED, 2021

Mirrors, transparent adhesive prints

Data source: artist’s Instagram New Posts reel produced in 2 hours

Foco Galeria I_AM_MY_DATA

PROGRESSIVELY UPDATED, 2021

Mirrors, transparent adhesive prints

Data source: artist’s Instagram New Posts reel produced in 2 hours

Foco Galeria I_AM_MY_DATA

FOUND AN USE FOR MY DATA FROM YESTERDAY, 2021

16 sqm of printed paper

Data source: artist’s Twitter metadata produced in 1 day

Foco Galeria I_AM_MY_DATA

Exhibition View

Foco Galeria I_AM_MY_DATA

SELF STORAGE, 2021

Hand trolley truck, 7 cardoard boxes, adhesive prints

Foco Galeria I_AM_MY_DATA

SELF STORAGE, 2021

Hand trolley truck, 7 cardoard boxes, adhesive prints

Foco Galeria I_AM_MY_DATA

ACCESS DENIED, 2021

Digital printing on kline panel, cotton wires

Data source: artist’s Instagram Stories metadata produced in 10 minutes

Foco Galeria I_AM_MY_DATA

ACCESS DENIED, 2021

Digital printing on kline panel, cotton wires

Data source: artist’s Instagram Stories metadata produced in 10 minutes

Foco Galeria I_AM_MY_DATA

SECOND-HAND DATA MARKETPLACE, 2021

Digital printing on 70 kline panels

Data source:fictional listings based on real sellers and posts from the Facebook Marketplace

Foco Galeria I_AM_MY_DATA

SECOND-HAND DATA MARKETPLACE, 2021

Digital printing on 70 kline panels

Data source:fictional listings based on real sellers and posts from the Facebook Marketplace

Foco Galeria I_AM_MY_DATA

EMERGENCY EXTRA, 2021

Oxygen reserve bag, adhesive prints

Foco Galeria I_AM_MY_DATA

INTO MY DATA, 2021

Pvc film, transparent adhesive prints

Data source: artist’s Instagram Chat data produced in 1 day

Foco Galeria I_AM_MY_DATA

INTO MY DATA, 2021

Pvc film, transparent adhesive prints

Data source: artist’s Instagram Chat data produced in 1 day

Foco Galeria I_AM_MY_DATA

TRYING TO REMOVE MYSELF FROM THE INTERNET, 2021

Digital printing on kline panel

Data source: artist’s Instagram Feeds data produced in 1 day

Foco Galeria I_AM_MY_DATA

TRYING TO REMOVE MYSELF FROM THE INTERNET, 2021

Digital printing on kline panel

Data source: artist’s Instagram Feeds data produced in 1 day

Foco Galeria I_AM_MY_DATA

I HAVE NOTHING TO HIDE, 2021

Digital printing on kline panel, plastic wrap

Data source: artist’s WhatsApp chats

Foco Galeria I_AM_MY_DATA

IT TOOK TIME TO SAVE MY DATA TODAY, 2021

Marker on canvas

Data source: artist’s Instagram Feeds data produced in 1 day

Foco Galeria I_AM_MY_DATA

IT TOOK TIME TO SAVE MY DATA TODAY, 2021

Marker on canvas

Data source: artist’s Instagram Feeds data produced in 1 day

Foco Galeria I_AM_MY_DATA

BACKUP 2020 SOCIAL MEDIA, 2021

42 gallons Metal Barrel, transparent adhesive prints

Foco Galeria I_AM_MY_DATA

Exhibition View

It is invisible, untouchable, ethereal. Often inaccessible, hard to interpret, but at the some time, ubiquitus. We’re immersed in it at all times, just like air: it’s our Data.

Everyday, we produce around 2.5 quintillion bytes of Data, for an average of around 1 giga bytes per person per day, as result of the interactions with online services including social media, web browsing, entertainment and e-commerce. Some of these services bring a lot of convenience to our lives, others make us waste a lot of time scrolling and swiping. Most of the mainstream ones have one thing in common: we seem to need them more and more to function in society. In order to have a role, you need to opt in, and log in.

The work “I_AM_MY_DATA” explores the topic, focusing on multiple aspects of the interaction between the individual and the Data he daily generates, such as privacy and transparency, update and accumulation, usefulness and uselessness, resource and constraint. How does this Data look like? Do we shape it or does it shape us? How are people behaviors influenced by this never ending series of alphanumerical values hidden behind “likes”, “tweets” and “chats”?

The eleven artworks of the exhibition use Data recollected from the artist’s social media profiles (Instagram, Twitter, Facebook, WhatsApp) as the raw material, simultaneously medium and media, each time processed in a different way: the Data is progressively printed, painted, mirrored, hidden, cut, stretched, pressed, compressed, crumpled, torn off; each of these manipulations is meant to be a starting point to explore a different connection, or conflict, between the user and its own Data, either questioning the current condition or speculatively imagine future scenarios.

Focoff – Project Space
Rua de Alegria,34. Lisboa

© Photodocumenta