Clara Imbert
Exhibition view
From the solo show Circular Visions
(September 2021 at Foco Gallery)
Exhibition view
From the solo show Circular Visions
(September 2021 at Foco Gallery)
Axis, 2021
Steel
112×112 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Eclipse, 2021
Fine art print on Baryta Hahnemühle paper, Nielsen Frame, Museum Glass
Unique Edition + 1AP
150×120 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Exhibition view
From the solo show Circular Visions (September 2021 at Foco Gallery)
Solis I,II, 2021
Limestone, treated steel
115×15 cm | 145×15 CM
From the solo show Circular Visions (September 2021 at Foco Gallery)
Solis II, 2021
Limestone, treated steel
125×15 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Umbra, 2021
Fine art print on Baryta Hahnemühle paper, Nielsen Frame, Museum Glass
Unique Edition + 1AP
130×90 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Detail of Solis II, 2021
Limestone, treated steel
125×15 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Detail of Solis III, 2021
Limestone, treated steel
145×15 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Shadow Object 1239, 2021
Fine art print on Baryta Hahnemühle paper, Nielsen Frame, Museum Glass
Unique Edition + 1AP
130×100 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Orrery, 2021
Steel, Stone
198×130 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Detail of Orrery, 2021
Steel, Stone
198×130 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Detail of Orrery, 2021
Steel, Stone
198×130 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Dome, 2021
Steel
39×38 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Detail of Equation for an Ellipse, 2021
Steel
135×50 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Equation for an Ellipse, 2021
Steel
135×50 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Orbits, 2021
Steel
53×88 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Suspension, 2021
Polystyrene, resin, polyurethane paint, magnet
175×150 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Detail of Suspension, 2021
Polystyrene, resin, polyurethane paint, magnet
175×150 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Detail of Suspension, 2021
Polystyrene, resin, polyurethane paint, magnet
175×150 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Detail of Suspension, 2021
Polystyrene, resin, polyurethane paint, magnet
175×150 cm
From the solo show Circular Visions (September 2021 at Foco Gallery)
Oscillation of the Unknown, 2021
Steel, polystyrene, epoxy paint
199.5×88.5×88.5 cm
From the group show Amuse Bouche (April 2021 at Foco Gallery)
Endless Perspective, 2018
Metal, Convex Lense, Magnifying Glass
Variable Dimensions
From the group show Dis (Places) (May 2018)
Detail of Endless Perspective, 2018
Metal, Convex Lense, Magnifying Glass
Variable Dimensions
From the group show Dis (Places) (May 2018 at Foco Gallery)
Detail of Endless Perspective, 2018
Metal, Convex Lense, Magnifying Glass
Variable Dimensions
From the group show Dis (Places) (May 2018 at Foco Gallery)
Clara Imbert (b.1994) is a French artist, currently based in Lisbon, Portugal. She graduated from Central Saint Martins in 2017.
Her research reflects on notions of space and objects, perspective and perception resulting in works of various forms such as photography, sculpture or installation.
Through experiments, Imbert investigates physical, mathematical and philosophical theories, creating new patterns in order to unravel intangible points of views.
Her practice notably explores the relations between reality and illusion. The matter is either created or transformed to manifest a multitude of possibilities; its position indicates the passage of time, which also implies an imaginary dimension. As space is deconstructed, an invisible geometry appears allowing its depths to be observed.