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Daniel Alfacinha

Foco Galeria Daniel Alfacinha

Cleyto (I), 2019

MDF structure, broken TV, bird screen papier mâché, broken glass, wood slats with shellac

Variable dimensions

Foco Galeria Daniel Alfacinha

Cleyto (I), 2019

MDF structure, broken TV, bird screen papier mâché, broken glass, wood slats with shellac

Variable dimensions

Foco Galeria Daniel Alfacinha

Detail of Cleyto (I), 2019

MDF structure, broken TV, bird screen papier mâché, broken glass, wood slats with shellac

Variable dimensions

Foco Galeria Daniel Alfacinha

Detail of Cleyto (I), 2019

MDF structure, broken TV, bird screen papier mâché, broken glass, wood slats with shellac

Variable dimensions

Foco Galeria Daniel Alfacinha

Detail of Cleyto (I), 2019

MDF structure, broken TV, bird screen papier mâché, broken glass, wood slats with shellac

Variable dimensions

Foco Galeria Daniel Alfacinha

Detail of Cleyto (I), 2019

MDF structure, broken TV, bird screen papier mâché, broken glass, wood slats with shellac

Variable dimensions

Foco Galeria Daniel Alfacinha

Medusa, 2019

Polyurethane foam,

Variable dimensions

Foco Galeria Daniel Alfacinha

Column, 2019

styrofoam, ashes and white glue

variable dimensions

Foco Galeria Daniel Alfacinha

Medusa, 2019

Polyurethane foam,

Variable dimensions

Foco Galeria Daniel Alfacinha

Pixel (Junko Furuta), 2019

Styrofoam, artificial wig, plant and animal remains, ashes, charcoal, white glue, spray paint and gouache

Variable dimensions

Foco Galeria Daniel Alfacinha

Pixel (Junko Furuta), 2019

Styrofoam, artificial wig, plant and animal remains, ashes, charcoal, white glue, spray paint and gouache

Variable dimensions

Foco Galeria Daniel Alfacinha

IX (Noah Centineo), da série Don’t you fuckin dare show anyone, 2019

Oil on paper

35 x 34 cm

Daniel Alfacinha, 1988. Lisbon. Lives and works in Lisbon. Graduated in Illustration at Etic and Painting at Ar.co, he deepened his work at MArt’s artistic residency. She was part of the 2017 PEAC and has exhibited regularly since 2014. His work explores different media, from sculpture, painting to drawing, and these practices are involved in an installation logic that seeks above all to respond to the space it occupies.