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Lisboa Não Sejas Francesa – Part 2 | Foco Lisboa
Alice Guittard + Anne-Charlotte Finel + John Fou + Laura Garcia Karras + Lou Masduraud + Marion Flament + Matisse Mesnil + Max Coulon + Sarah Valente + Ugo Schildge + Vincent Voillat
[03/04/25 - 10/05/25]

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Mazzolin (3 parts), 2023 | Matisse Mesnil

Arc welding

170×90 cm (each)

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Rock Bottom, 2023 | Max Coulon

Concrete, rebar, pigments

159x48x67 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Sitting Mouse, 2025 | Max Coulon

Concrete, rebar, pigments

50x56x49 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Lumière vacillante I, III, V, VI, 2025 | Marion Flament

Soot Painted Glass, metal

30×20 cm | 40×30 cm

 

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

La mémoire des murs I,  A mémoria de Sao Domingos  1, Chapelet II, 2024 | Marion Flament

Glass, Steel, rope | Blown and sculpted glass, glazed earthenware, rope

114×43 cm | 130×43 cm | 200x20x20 cm + rope

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

La mémoire des murs I,  A mémoria de Sao Domingos  1, Chapelet II, 2024 | Marion Flament

Glass, Steel, rope | Blown and sculpted glass, glazed earthenware, rope

114×43 cm | 130×43 cm | 200x20x20 cm + rope

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Dragon I, V, 2023 | Anne-Charlotte Finel

Inkjet print on Hahnemühle paper Photorag Baryta

41,5 x 28 cm | Ed. of 2 + 1 A.P

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Nuit, 2022 | Anne-Charlotte Finel

video HD, music by Voiski
4’17’’ | Edit Anne-Charlotte Finel and Elise Lebaindre – Production LVMH Métiers d Art

Ed. of 5 + 2 A.P.

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Nuit, 2022 | Anne-Charlotte Finel

video HD, music by Voiski
4’17’’ | Edit Anne-Charlotte Finel and Elise Lebaindre – Production LVMH Métiers d Art

Ed. of 5 + 2 A.P.

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Escape plan (before midnight), 2024 | Lou Masduraud

Bronze, pearl, iron wire

26x41x4 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Escape plan (before midnight), 2024 | Lou Masduraud

Bronze, pearl, cristal, steel discs, jam nut, shell, iron wire, cotton wire

40x70x5 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Contre Nature, 2024 | Ugo Schildge

Plaster, concrete, pigment, Glazed ceramics and wood

200×140 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

, 2024 | Laura Garcia Karras

Oil on Canvas

24×19 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

KO, 2024 | Laura Garcia Karras

Oil on Canvas

24×19 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

The kiss, 2024 | Vincent Voillat

Marbles

30x43x28 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Rudus limenis: les décombres du seuil (Etretat), 2023 | Vincent Voillat

Marbles

30x30x30 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Wave, 2024 | Vincent Voillat

Marbles

30x25x65 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Ultraflora I, 2024 | Sarah Valente

Glass

80x20x20 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Ultraflora II, 2024 | Sarah Valente

Glass

80x20x20 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

7 of cups, 2023 | Alice Guittard

Marble Inlay

70×45 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Yay, 2023 | John Fou

Colored Pencils, acrylic on canvas

195×130 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Exhibition View

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Chute, 2024 | John Fou

Oil and Colored pencil on canvas

35×27 cm

Foco Galeria Lisboa Não Sejas Francesa  – Part 2 | Foco Lisboa

Untitled, 2025 | John Fou

Colored Pencils, acrylic on bracket fungus

12×19.5×16.5 cm

We are pleased to invite you to the second part of the exhibition Intercultural between France and Portugal – Lisboa Não Seja Francesa.

Following the first part, inaugurated last week at L’Atlas in Paris, in which 13 artists living and working in Lisbon offered the French audience an artistic perspective on their city through various forms of expression, it is now the turn of 11 French artists to share their vision with the Portuguese public.

Through this dual exhibition, Lisbon and Paris do not stand in opposition but rather in resonance. Lisboa Não Seja Francesa invites visitors to question how cities influence artists, observe how identities evolve through cultural dialogues, and see art as a bridge between past and future, tradition and reinvention.

 

Don’t Forget What You’re Made Of

Once, in a city large enough to hold more than one square,
there lived a fountain and a candle.
Each day, creatures came around them—some with fur like nightfall and mineral teeth,
some feathered with beaks made of steel,
and some that seemed soft but were made of concrete.

And then others, rugged and slithery,
whose opal eyes shimmered with pink, blue, and yellow lights.
They were the ones who gathered in the dark waters, like a presage.

Many, however, were made of root, stem, and leaf.
Their bodies were moved by scent, rustling through the night, 
stretching intricate patterns of sap, petal, and fruit into the sunlight. 

Every day, waters opened and closed, filling ponds and wells.
Dwellers were drawn in by the fountain’s pump, exhaled in the candle’s fiery breath.
They enjoyed it all. They drank the water. They drank the light. They danced in circles.
And then folded mechanically into the rhythm of daily life.

At first, the shadows came softly.
The plant-ones were the first to notice—herbs, shrubs, and flowers bent ever so slightly.
A fold in the air. A subtle shiver. Was this a glitch?

Life was unfolding. It was easy to dismiss.
Citizens kept busy—playing, exercising, curling into one another.
Beyond sitting in the sun—who has time to ponder?

But the furry, the feathered, the rugged, and the concrete ones soon caught up.
There were astonishments, fights, and freeze responses.
Why are our souls now losing their glow?

What happened next was a phantasmagoria of mystery.
Still, it included heart—which made answers not searched far out, but uncovered far in.
And what happened after that was a demonstration of what lives within.

The fountain and the candle got it together, quick.
They passed each other the light. It morphed,
and became myriad fireflies.

Citizens opened their chests as sanctuaries. The little starlights settled in.
There were high and low places. Some were even gleaming in plain sight.

It is said that danger still lingered in the shadows long after.
Still, flames only grew brighter.

With each connection, each intention, and each loving thought,
they always remembered to tend to their inner glows.

Cristina Sanchez-Kozyreva