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Species Novae
Thomas Mendonça
[05/12/19 - 25/12/19]

Foco Galeria Species Novae

Exhibition View

Foco Galeria Species Novae

Exhibition View

Foco Galeria Species Novae

Species Novae 1, 2018

White clay

15x22x16 cm

Foco Galeria Species Novae

Species Novae 2, 2019

White clay

30x20x12 cm

Foco Galeria Species Novae

Exhibition View

Foco Galeria Species Novae

Species Novae 4, 2018

White clay

19x57x35 cm

Foco Galeria Species Novae

Species Novae 3, 2018

White clay

57x17x14 cm

Foco Galeria Species Novae

Exhibition View

Foco Galeria Species Novae

Species Novae 11, 2019

White clay, found plastic, wood, metal, shell

32x10x10 cm

Foco Galeria Species Novae

Species Novae 9, 2019

White clay, glitter, glass, shell

32x08x08 cm

Foco Galeria Species Novae

Species Novae 14, 2019

White clay, found plastic, glass, flamingo feather

59x15x13 cm

Foco Galeria Species Novae

Species Novae 15, 2019

White clay, found plastic, flamingo feather

32×38 cm

Foco Galeria Species Novae

Exhibition View

Foco Galeria Species Novae

Species Novae 13, 2019

White clay, found plastic

18x30x15 cm

Foco Galeria Species Novae

Species Novae 12, 2019

White clay, found plastic, glitter, shell

37x19x18 cm

Foco Galeria Species Novae

Exhibition View

Foco Galeria Species Novae

Species Novae 5, 2019

White clay

12x15x11 cm

Foco Galeria Species Novae

Species Novae 5, 2019

White clay

12x15x11 cm

Foco Galeria Species Novae

Exhibition View

After his time as an artist/curator with «Pau Duro Coração Mole» (2017), «O Vírus» (2018), and more recently assuming the curatorship of «Sem medo de criar o chaos» (2019), Thomas Mendonça returns to Foco Gallery with the solo exhibition «Species Novae».

The most recent aspect of his ceramic work, this open series – under constant construction, at least for now – is once again inspired by the ocean, the sea and maritime life in general. In addition to its usual muses – the porifers, corals and other aquatic animals or plants – this time plastic also enters the equation.

It has unfortunately become impossible to talk about the sea without talking about pollution, and his inspiring walks along the beach – where he collected shells and ideas – have become collections of the plastic and general rubbish that undoubtedly form part of the scenery.

In this series that can appeal to ecological awareness, the aesthetic language combines both organic and artificial references. Gradually, giving up its exclusive protagonism, ceramics mixes with all kinds of materials found. In a paraphernalia of shells, feathers and polluting materials, ceramics rises to a new and totally different dimension.

©Photodocumenta