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Artissima 26
Gabriel Ribeiro
[30/10/26 - 01/11/26]

Gabriel_Ribeiro

Exhibition View

Foco Galeria Artissima 26

Exhibition View

Foco Galeria Artissima 26

Untitled II, 2026

Solar print on polyurethane foam, Inox frame
30 × 40 × 10 cm
reservoir_gabriel_ribeiro_galeria_foco_09

Urethra, 2025

Stainless steel, blown glass, epoxy putty, liquid metal

193x20x7 cm

Foco Galeria Artissima 26

Sun-maid II, 2025

Solar print on polyurethane foam, polycarbonate, Inox frame

120x10x202 cm

Foco Galeria Artissima 26

Horn of Plenty, 2025

Industrial dehydrator, stainless steel, cast aluminium, grapes

125x64x46.5 cm

Present Futures – Curated Section by Léon Kruijswijk and Joel Valabrega

For the upcoming edition of Artissima, Galeria Foco proposes a special project by Brazilian artist Gabriel Ribeiro (1990, Rio de Janeiro).

The project brings together works that explore processes of material transformation through light, heat, dehydration, circulation, and time. Ribeiro employs materials and techniques drawn from scientific and industrial contexts, shifting them between architecture and skin, infrastructure and biology.

Some of the works originate from Reservoir (Galeria Foco, Lisbon, 2025), Ribeiro’s latest solo exhibition, which explored water circulation and the limits of containment. Translucent amber and yellow glass forms are threaded through steel, hovering between the anatomical and the infrastructural. Tubes, vessels, and bottles are dismantled and recombined into speculative systems that evoke circulation while resisting function.

At the center of the booth, an industrial dehydrator runs continuously, concentrating fruit through the removal of water while doubling as a plinth for a cornucopia sculpture. The symbol of abundance reappears in the foam-based solar prints, produced by exposing foam to sunlight and allowing its colour to change gradually through light and time. These works connect different processes of exposure and transformation.

Together, these operations suggest a kind of protoscience, situated between art and biology, infrastructure and the cell, precision and the unintentional. Ribeiro redirects scientific and industrial processes toward speculation, asking not only what materials can do, but what else they might become.